Lost Illusions I: Two poets

At length one day Chatelet called attention to the fact that whenever he went with M. de Chandour to Mme. de Bargeton's and found Lucien there, there was not a sign nor a trace of anything suspicious; the boudoir door stood open, the servants came and went, there was nothing mysterious to betray the sweet crime of love, and so forth and so forth. Stanislas, who did not lack a certain spice of stupidity in his composition, vowed that he would cross the room on tiptoe the next day, and the perfidious Amelie held him to his bargain.

For Lucien that morrow was the day on which a young man tugs out some of the hairs of his head, and inwardly vows that he will give up the foolish business of sighing. He was accustomed to his situation. The poet, who had seated himself so bashfully in the boudoir-sanctuary of the queen of Angouleme, had been transformed into an urgent lover. Six months had been enough to bring him on a level with Louise, and now he would fain be her lord and master. He left home with a settled determination to be extravagant in his behavior; he would say that it was a matter of life or death to him; he would bring all the resources of torrid eloquence into play; he would cry that he had lost his head, that he could not think, could not write a line. The horror that some women feel for premeditation does honor to their delicacy; they would rather surrender upon the impulse of passion, than in fulfilment of a contract. In general, prescribed happiness is not the kind that any of us desire.

Mme. de Bargeton read fixed purpose in Lucien's eyes and forehead, and in the agitation in his face and manner, and proposed to herself to baffle him, urged thereto partly by a spirit of contradiction, partly also by an exalted conception of love. Being given to exaggeration, she set an exaggerated value upon her person. She looked upon herself as a sovereign lady, a Beatrice, a Laura. She enthroned herself, like some dame of the Middle Ages, upon a dais, looking down upon the tourney of literature, and meant that Lucien, as in duty bound, should win her by his prowess in the field; he must eclipse "the sublime child," and Lamartine, and Sir Walter Scott, and Byron. The noble creature regarded her love as a stimulating power; the desire which she had kindled in Lucien should give him the energy to win glory for himself. This feminine Quixotry is a sentiment which hallows love and turns it to worthy uses; it exalts and reverences love. Mme. de Bargeton having made up her mind to play the part of Dulcinea in Lucien's life for seven or eight years to come, desired, like many other provincials, to give herself as the reward of prolonged service, a trial of constancy which should give her time to judge her lover.

Lucien began the strife by a piece of vehement petulence, at which a woman laughs so long as she is heart-free, and saddens only when she loves; whereupon Louise took a lofty tone, and began one of her long orations, interlarded with high…