Lost Illusions I: Two poets

Honoré de Balzac

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Honoré de Balzac

[20.5.1799-18.8.1850] Honoré de Balzac (vlastním jménem Bernard-François Balssa), francouzský představitel realismu a romantismu, jeden z největších spisovatelů 19. století, se narodil roku 1799 v Tours a zemřel ve věku 51 let v Paříži. Balzac je průkopníkem kritického realismu a tvůrcem nesmírně rozsáhlého díla. Po celý svůj život tvořil s nesmírnou pílí a měl obrovskou vůli, ale tak jak byl geniálním...

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Perhaps a word or two about the business premises may be said here. The printing-house had been established since the reign of Louis XIV. in the angle made by the Rue de Beaulieu and the Place du Murier; it had been devoted to its present purposes for a long time past. The ground floor consisted of a single huge room lighted on the side next the street by an old-fashioned casement, and by a large sash window that gave upon the yard at the back. A passage at the side led to the private office; but in the provinces the processes of typography excite such a lively interest, that customers usually preferred to enter by way of the glass door in the street front, though they at once descended three steps, for the floor of the workshop lay below the level of the street. The gaping newcomer always failed to note the perils of the passage through the shop; and while staring at the sheets of paper strung in groves across the ceiling, ran against the rows of cases, or knocked his hat against the tie-bars that secured the presses in position. Or the customer's eyes would follow the agile movements of a compositor, picking out type from the hundred and fifty-two compartments of his case, reading his copy, verifying the words in the composing-stick, and leading the lines, till a ream of damp paper weighted with heavy slabs, and set down in the middle of the gangway, tripped up the bemused spectator, or he caught his hip against the angle of a bench, to the huge delight of boys, "bears," and "monkeys." No wight had ever been known to reach the further end without accident. A couple of glass-windowed cages had been built out into the yard at the back; the foreman sat in state in the one, the master printer in the other. Out in the yard the walls were agreeably decorated by trellised vines, a tempting bit of color, considering the owner's reputation. On the one side of the space stood the kitchen, on the other the woodshed, and in a ramshackle penthouse against the hall at the back, the paper was trimmed and damped down. Here, too, the forms, or, in ordinary language, the masses of set-up type, were washed. Inky streams issuing thence blended with the ooze from the kitchen sink, and found their way into the kennel in the street outside; till peasants coming into the town of a market day believed that the Devil was taking a wash inside the establishment.

As to the house above the printing office, it consisted of three rooms on the first floor and a couple of attics in the roof. The first room did duty as dining-room and lobby; it was exactly the same length as the passage below, less the space taken up by the old-fashioned wooden staircase; and was lighted by a narrow casement on the street and a bull's-eye window looking into the yard. The chief characteristic of the apartment was a cynic simplicity, due to money-making greed. The bare walls were covered with plain whitewash, the dirty brick floor had never been scoured, the furniture consisted of three …

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