Chronicles of Avonlea

Lucy Maud Montgomeryová

95 Kč

Elektronická kniha: Lucy Maud Montgomeryová – Chronicles of Avonlea (jazyk: angličtina)

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E-kniha Lucy Maud Montgomeryová: Chronicles of Avonlea

Anotace

A collection of short stories set in Avonlea, featuring different characters and their destinies. Some stories connect to Anne’s life, while others stand alone, offering humor, emotion, and wisdom.

O autorovi

Lucy Maud Montgomeryová

[30.11.1874-24.4.1942] Lucy Maud Montgomeryová byla kanadská spisovatelka, známá především díky sérii knih o Anně ze Zeleného domu. Narodila se v roce 1874 v Cliftonu (dnes New London) na Ostrově prince Edwarda. Její matka Clara Woolner Macneill zemřela na tuberkulózu, když byly Maud necelé dva roky. Otec Hugh John Montgomery se po manželčině smrti přestěhoval do západní Kanady a znovu se...

Lucy Maud Montgomeryová: životopis, dílo, citáty

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VII. Aunt Olivia's Beau

Aunt Olivia told Peggy and me about him on the afternoon we went over to help her gather her late roses for pot-pourri. We found her strangely quiet and preoccupied. As a rule she was fond of mild fun, alert to hear East Grafton gossip, and given to sudden little trills of almost girlish laughter, which for the time being dispelled the atmosphere of gentle old-maidishness which seemed to hang about her as a garment. At such moments we did not find it hard to believe as we did at other times that Aunt Olivia had once been a girl herself.

This day she picked the roses absently, and shook the fairy petals into her little sweet-grass basket with the air of a woman whose thoughts were far away. We said nothing, knowing that Aunt Olivia's secrets always came our way in time. When the rose-leaves were picked, we carried them in and upstairs in single file, Aunt Olivia bringing up the rear to pick up any stray rose-leaf we might drop. In the south-west room, where there was no carpet to fade, we spread them on newspapers on the floor. Then we put our sweet-grass baskets back in the proper place in the proper closet in the proper room. What would have happened to us, or to the sweet-grass baskets, if this had not been done I do not know. Nothing was ever permitted to remain an instant out of place in Aunt Olivia's house.

When we went downstairs, Aunt Olivia asked us to go into the parlour. She had something to tell us, she said, and as she opened the door a delicate pink flush spread over her face. I noted it, with surprise, but no inkling of the truth came to me for nobody ever connected the idea of possible lovers or marriage with this prim little old maid, Olivia Sterling.

Aunt Olivia's parlour was much like herself painfully neat. Every article of furniture stood in exactly the same place it had always stood. Nothing was ever suffered to be disturbed. The tassels of the crazy cushion lay just so over the arm of the sofa, and the crochet antimacassar was always spread at precisely the same angle over the horsehair rocking chair. No speck of dust was ever visible; no fly ever invaded that sacred apartment.

Aunt Olivia pulled up a blind, to let in what light could sift finely through the vine leaves, and sat down in a high-backed old chair that had appertained to her great-grandmother. She folded her hands in her lap, and looked at us with shy appeal in her blue-gray eyes. Plainly she found it hard to tell us her secret, yet all the time there was an air of pride and exultation about her; somewhat, also, of a new dignity. Aunt Olivia could never be self-assertive, but if it had been possible that would have been her time for it.

"Have you ever heard me speak of Mr. Malcolm MacPherson?" asked Aunt Olivia.

We had never heard her, or anybody else, speak of Mr. Malcolm MacPherson; but volumes of explanation could not have told us more about him than did Aunt Olivia's voice when she pronounced his name. We knew, as…